All's Well that Starts Well (2010 - 2011)  
Lesson One (2011)  
Flock (2009)  
Pinocchio (2008)  
Anti-Plastic (2008)  
Bits & Pieces (2006)  
Biography  
Resume  
News  
Contact  
  Anthony Cervinowww.acervino@gmail.com443.904.3649
Education


MFA 2003 sculpture Towson University, Towson, Maryland

BFA 1997 sculpture University of North Carolina, Chapel
Hill, North Carolina

1989 – 92 Pennsylvania State University, State College, Pennsylvania


Solo Exhibitions

2011
All's Well that Starts Well (and Moves with the Sun).  Lycoming College Art Gallery, Williamsport, Pennsylvania

Editions of You
.  Rice Gallery, McDaniel College, Westminster, Maryland

Nearing December.  Waddell Art Gallery, NVCC, Sterling, Virginia

2008
Anti-Plastic. The Gallery at Flashpoint, Washington, D.C.

2007
Anthony Cervino: Sculpture. The Trout Gallery at Dickinson College, Carlisle, Pennsylvania

2006
Bits & Pieces. Delaware Center for the Contemporary Arts, Wilmington, Delaware

Flock. The Blue Llama Gallery, Raleigh, North Carolina

2003
Acts of Assembly: MFA Thesis Exhibition. Union Art Gallery, Towson University, Towson, Maryland

Of One. Dundalk Gallery, Baltimore County Community College, Dundalk, Maryland

1998
Lead. John and June Alcott Gallery, University of North Carolina, Chapel Hill, North Carolina. site specific installation


Select Group Exhibitions

2012

Under Construction, Delaware Center for the Contemporary Arts, Wilmington, Delaware, Susan Isaacs, curator

2011

SculptureX(Change), Bruce Gallery, University of Edinboro, Edinboro, Pennsylvania, Dietrich Wegner, curator
public sculpture, Longwood University, Farmville, Virginia
Collective Archive, School 33 Art Center, Baltimore, Maryland, Jayme McLellan, curator
2010Sculpture in the 21st Century, Holtzman Gallery, Towson, Maryland
Here, There, Anywhere, temporary public sculpture, Baltimore, Maryland

POINT, Sweet Lorraine Gallery, Brooklyn, New York, Michele Jaslow & Spring Hofeldt (Radar Curatorial), curators

2009
Construct: Space Transformed, public sculpture project, Washington, D.C, Karyn Miller, curator

The Language of Line, New Wilmington Art Association, Wilmington, Delaware

Contemporary Sculpture, Eastern Michigan University, Ypsilanti

Thinking Small, Pentimenti Gallery, Philadelphia, Pennsylvania

2008
Aqua Art Miami, represented by Pentimemti Galley (Philadelphia), Miami

4th Annual Small Works Show, 440 Gallery, Brooklyn, New York. David Humphrey, juror

ID, Schmucker Art Gallery, Gettysburg College, Pennsylvania (catalogue)

2007
ID, Rosenberg Gallery, Goucher College, Baltimore, Maryland (catalogue)

2005
Inaugural Mudd. The Mudd Gallery, Lawrence University, Appleton, Wisconsin

2004
Sculpture at Evergreen Biennial. Evergreen House, Johns Hopkins University, Baltimore, Maryland. Jennifer McGregor, curator (catalogue)

Maryland Art Place Critics’ Residency Program Exhibition. Maryland Art Place, Baltimore, Maryland. Amei Wallach, curator (catalogue)

2003
Ripples. Baltimore School for the Arts, Baltimore, Maryland

MicroMonumental. Towson Commons Gallery, Towson, Maryland

Juried MFA Biennial. Delaware Center for the Contemporary Arts, Wilmington, Delaware. Professor Susan Isaacs, juror

Artscape 2003. Baltimore, Maryland. public sculpture

3x3x3. Towson Commons Gallery, Towson, Maryland

Members’ Juried Exhibition. Delaware Center for the Contemporary Arts, Wilmington, Delaware. Awarded honorable mention. George Ciscle, juror

2002
18 Parts. Mill River Gallery, Ellicott City, Maryland

A New Paradigm. School 33 Art Center, Baltimore, Maryland. Will Hipps, curator

New Works. Towson Commons Gallery, Towson, Maryland

Party Animals. Washington D.C. Public Sculpture Design Project sponsored by the Washington D.C. Commission on the Arts and Humanities

2001
MFA Student Exhibition. Towson University, Towson, Maryland

Fish Out of Water. Baltimore, Maryland. Awarded four commissions to design sculptures for the Downtown Partnership of Baltimore as part of a city-wide public sculpture project

Artscape 2001. Baltimore, Maryland. public sculpture

2000
Do It. Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore, Maryland. Hans-Ulrich Obrist, curator and organized by Independent Curators International

M.I.C.A. Staff. Maryland Institute, College of Art, Baltimore, Maryland

1999
Critics’ Choice. Duke Museum of Art, Duke University, Durham, North Carolina. Michelle Natale, curator

1998
Untitled. The Glass Gallery, University of North Carolina, Chapel Hill, North Carolina

1997
Anchors. University of North Carolina, Chapel Hill, North Carolina.public sculpture

S.O.F.A.. Forum & Function, Raleigh, North Carolina

Men At Work. Forum & Function, Raleigh, North Carolina

Once Removed. The Glass Gallery, UNC, Chapel Hill, North Carolina

1996
Art-O-Matic. Art-O-Matic Gallery, Durham, North Carolina


Bibliography

Doreen Bolger, " Collective Archive," Charm City Current: Art-Full Life Blog (March 10, 2011): (http://charmcitycurrent.com/bolger/category/school-33)
Jessica Dawson, “Along City Sidewalks, New Windows on Art,” The Washington Post: C8 (January 1, 2010 - color image).

Erin Maguire, “Small Works Pack a Punch at Pentimenti,” The Bulletin, Philadelphia, (February 6, 2009).

Kriston Capps, “Anthony Cervino: Anti-Plastic,” ArtVoices (November 2008, p. 56).

Kelly Rand, “Anti-Plastic @ Flashpoint,” DCist.com (September 12, 2008).

Jessica Dawson, “Jets Get their Props,” The Washington Post: C2 (September 12, 2008 - color image).

“The Year in Art,” The Baltimore City Paper (December 15, 2004).

J. Bowers, “Don’t Fence Them In,” The Baltimore City Paper (May 12, 2004).

Jennifer McGregor, “Illuminating a Landscape in Transition, ” exhibition catalogue for 2004 Sculpture at Evergreen Biennial, Evergreen House, Johns Hopkins University, Baltimore, Maryland (2004)

Lauren Bender, “Anthony Cervino,” Radar (vol. 8, November 2003): 23.

Kristen Bott, “Sculptor Promotes Unification, Individualism at Towson,” The Towerlight (November 6, 2003).

Jesse Trawinski, “Exhibit Features Non-Traditional Art Creations,” The Towerlight (February 13, 2003).

Amanda Ripley, “Symmetry, Identity, Repetition Are Hallmarks of Sculpture Exhibit,” The Dundalk Eagle (December 2002).

“Artists Try to Convey Impact of Sept. 11,” The Baltimore Sun (July 26, 2002).

Susan Ross, “A New Paradigm,” RADAR – Peek Review (July 2002).

“Party Animals…The Beautiful, the Unexpected…,” The Washington Post, insert and map, (August 2002).

Tony Gittens, et al. Party Animals, Washington, D.C. (Washington, D.C.: D.C. Commission on the Arts and Humanities, Orange Frazer Press, 2002).

Leslie Landsman, ed. Fish out of Water: Baltimore’s Fin-tastic Voyage. (Wilmington, Ohio: Orange Frazer Press, 2001): 42, 116, 121, 122, 124, 126.

Jamie Rose, “Loaded to the Gills,” The Baltimore Sun (July 19, 2001): 7T (color image).

Arthur Hirsch, “Go Fish,” The Baltimore Sun (April 5, 2001): 1E (color image).

Eric Miller, “Focus on Art,” The Baltimore Guide (September 7, 2000): 4.

Duke University Museum of Art Exhibition and Events Calendar (exhibition announcement with color image) (Durham, North Carolina, Fall 1998 – Summer 1999): 9, 40.

Michele Natale, “It’s a Guy Thing: Men at Work at Forum and Function,” The Spectator (Raleigh, North Carolina, vol. 19, no. 45, 1997):18.


Teaching Experience

currently Asst. Professor of Art, Dickinson College, Carlisle, Pennsylvania

2005
Adjunct Faculty, spring 2005, fall 2005, Corcoran College of Art + Design, Washington, D.C., Advanced Sculpture

2004
Adjunct Faculty, Towson University, Towson, Maryland, ART 102: Introduction to 2-D Design

Instructor, Community Art Center at Towson University, Towson, Maryland, Introduction to Figure-Sculpture and Drawing II

2003
Instructor, Towson University, Towson, Maryland, ART 377: Exhibition Design

Instructor, Community Art Center at Towson University, Towson, Maryland, Introduction to Figure-Sculpture

2002 – 03
Instructor, Community Art Center at Towson University, Towson, Maryland, Principles of Three-Dimensional Design. Designed and instructed summer course in 3-D design.

1998
Instructor, Carrboro Art Center, Carrboro, North Carolina, Introduction to Studio Art. Designed and instructed summer course in general fine arts.


Lectures and Presentations
2011
Presenting Panelist, Trial and Error: A Case Study for Teaching Sculpture, South Eastern College Art Association

Speaker, Lesson One: Art & Identity, Longwood University, Farmville, Virginia

2010
Speaker, On Objects, McDaniel College, Westminster, Maryland

Guest Lecturer, Gettysburg College, Gettysburg, Pennsylvania

2008Panel co-chair and presenting panelist, "Many Me: Self-Portraiture and the Multiple," ID: Self-Portraiture and Contemporary Sculpture, South Eastern College Art Association

2007
Speaker, Wilson College, Institute for Retired Persons, Chambersburg, Pennsylvania, fall (forthcoming)

Guest Lecturer, Gettysburg College, Pennsylvania, Art Since 1945, spring

Speaker, Acts of Assembly, The John M. Anderson Endowed Lecture Series Pennsylvania State University, University Park, spring

2006
Speaker, Kitbashing, Rhodes College, Memphis, Tennessee, spring

2001 – 03
Guest Lecturer, Johns Hopkins University, Baltimore, Maryland, Twentieth-Century Art, summer 2001, summer 2003

2000
Guest Lecturer, Maryland Institute, College of Art, Baltimore, Maryland, Exhibition Design Workshop. Instructed students in art installation and art handling as part of a team-taught curriculum in exhibition design.


Professional Experience

2011Curator, Medium of Exchange, Towson University Center for the Arts Gallery, Towson, Maryland

2008
Juror, PROCESSOR: A Regional M.F.A. Exhibition, The Goodyear Gallery, Dickinson College, Carlisle, Pennsylvania

Juror, Adams County Annual Juried Exhibition, Schmucker Art Gallery, Gettysburg College, Gettysburg, Pennsylvania

Juror, Annual Student Juried Exhibition, Shippensburg University, Shippensburg, Pennsylvania

2004 – 05
Director of College Exhibitions, Corcoran College of Art + Design, Washington, D.C.

2005
Advisor, Selection Panel and Gallery Advisor Program, Gallery at Flashpoint, Washington, D.C. Involvement includes participating in panel review of proposals and one-on-one mentorship with selected exhibition recipient.

2003
Art Exhibition Specialist, Baltimore Museum of Art; Delaware Center for the Contemporary Arts; The Maryland Institute, College of Art; The Holtzman Gallery at Towson University.

Juror, Annual Baltimore County Department of Aging Art and Photography Exhibition, Dundalk Gallery, Baltimore County Community College, Dundalk, Maryland

Curator, Kitbashers: Exploring Notions of Assembly. Union Art Gallery, Towson University, Towson, Maryland. Curated and designed a thematic exhibition of regional sculptors. (color brochure with curatorial essay)

2001 – 03
Art Education Assistant, Art Department, Towson University.

2000 – 01
Assistant Director, Department of Exhibitions, Maryland Institute, College of Art.

1996 – 99
Assistant Manager, Art Lab Facility, University of North Carolina.

1996
Interim Manager, Art Lab Facility, University of North Carolina.

1998 – 99
Metal Fabricator, Flinn Fabrications, Hillsborough, North Carolina.


Grants, Scholarships, Awards2011 Kunstnarhuset Messen Artist Residency, Alvik, Norway (30 day)
2010 Pre-Tenure Sabbatical Materials Grant, Dickinson College
2007 Research & Development Grant, Dickinson College
2004 Graduate Thesis/Project Award, Towson University
2003 Graduate Student Research Award, Towson University
2001 – 03 Graduate Assistantship, Towson University
1997 The Alumni Sculpture Garden Award, University of North Carolina
1996 Sharpe Scholarship, University of North Carolina
1995 Sharpe Scholarship, University of North Carolina